Pirates are people too
September 30th, 2007In days past, I had a conversation with a couple friends. We were talking about music pirating, and I mentioned that
I don’t pirate…out of principle
at which point a friend quips
I pirate, out of principle
I understand the feeling behind this, but lately I’ve felt a dilemma, especially when it comes to music:
The artists I like to listen to, I should not pirate from. The artists I should pirate from, I do not want to listen to.
I would really like to listen to the new Animal Collective album, but something tells me they’re not exactly rolling in money, nor is their record label a bunch of millionaire bigwigs (though I may be wrong). However, I find it hard to part with $10 for a CD, when there are so many better uses.
On the other hand, I have no qualms about pilfering from major labels like Sony or Universal who pay their shitty artists shitty royalties anyways; the only problem is that I’d have to find an artist I actually appreciated.
Well, my solution thus far is to listen to Creative-Commons licensed (a much less restrictive version of copyrights) music at sites like Jamendo or Magnatune.
Jamendo is a goldmine of music from artists that have opened up their musical endeavors to all ears; all music is guilt-free, often innovative, and the artists are probably not douchebags.
Magnatune is a record label, but all music is under the Commons license, and purchase price is pretty much up to the consumer. In turn the label treats its artists to a very generous 50% of revenue. The music is pretty high quality, and everything is free to listen online. As a tip: Ehren Starks is somebody you want to tune into.
Well I’ve blathered enough. Go enjoy some free quality music from quality artists, and let me know if you find some gems.
Edit: I feel like I may not have explained my underlying philosophy enough. To elaborate on why I believe a free-model of music is better, we have to address why music is made. Some artists do it for a career: unfortunately, as most of you know, to be commercially successful in the music business means pandering to as large of a base as you can, essentially alienating your niche crowd. This sort of music is usually, though not always, unoriginal, bland, and undistinguished.
The other type of artists makes music mainly to make music. Money is rarely plentiful, but they pursue music for its own sake, and may have to take up a 9-5 on the side. They have a hard time making it “big” in the music world, mainly because of the high entrance barrier. Releasing free music independently allows them to maintain high musical integrity and share their aural adventures to anyone with a computer. It also gets their name out there, and helps sell tickets for shows, the real moneymaker in the music biz. Instead of making dimes per CD, they keep their soul, spread their art, and may come out financially ahead in the long run.
Of course, I’m no veteran of the industry.